Shoojit Sircar’s debut film, *Yahaan*, celebrates its 20th year, offering a distinctive perspective on Kashmir’s landscape. The film’s visual style, crafted by cinematographer Jakob Ihre, emphasizes the atmosphere of the region. *Yahaan* differentiates itself by focusing on the emotional dimensions of romance against the backdrop of militancy, unlike previous films. The romance between Captain Aman and Adaa is central, with both humorous and critical elements enhancing the story. The narrative explores the dynamics of human relationships in challenging times. The latter part of the film builds towards a dramatic conclusion, drawing inspiration from real events. Despite moments of narrative simplicity, the film excels in its detailed character development. Furthermore, the film displays a compassionate understanding of both the press and the militants. *Yahaan*’s success comes from its ability to present a love story within a socio-political framework. Piyush Mishra’s dialogues are a highlight. Sircar mentions the film’s origins in the 1990s, and he talks about basing the film on a true story. He also discusses how he had to make certain compromises during the filmmaking process, particularly concerning the ending.
