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Vivek Agnihotri’s ‘The Bengal Files’ is a cinematic examination of a neglected period in Indian history: the communal violence of Bengal, focusing on the events of Direct Action Day in 1946. The film confronts the brutal realities, offering a stark portrayal that is difficult to watch. The narrative weaves between pre- and post-Partition timeframes, linked by a survivor, and highlights the persistence of political maneuvering and communal division. It questions the roles and legacies of those who shaped modern India. The film’s visuals are potent, and the performances are strong, particularly from Darshan Kumar and others. Despite some dramatic excesses, the film’s core message is compelling, urging viewers to confront a painful history.
