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Ante Sundaraniki film assessment: Nani, Nazriya Fahadh proportion crackling chemistry on this hilarious rom-com

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In Ante Sundaraniki, the hero Kasthuri Poorna Venkata Sesha Sai Pawana Rama Sundara Prasad aka Sundar’s superpower is his skill to speak folks into the trickiest of scenarios. Folks simply give into Sundar’s audacious calls for regardless of their higher judgment. As a result of midway during the one-hour commonplace assembly with Sundar, his goals realise the fact that he received’t forestall speaking till they provide him what he desires. In different phrases, Sundar badgers his goals into submission along with his unceasing monologue.

Sundar’s superpower isn’t one thing he inherited. It’s one thing an individual develops increasing up in a family, which controls every breath she or he takes. A extremely regimented method to kid parenting appears to be the best way to provide grasp liars.

Sundar comes from a extremely conservative circle of relatives. Such a lot in order that he’s no longer allowed to commute to the United States as a result of his circle of relatives believes that permitting a person to move the ocean is a cardinal sin, one thing which might anger their gods. Their superficial ideals make his growing-up years very painful. He’s continuously mocked for his humorous, incomplete tonsured head in school. His father Sastri garu (performed by way of a good looking Naresh) will get him a women’ motorcycle as a result of he’s apprehensive the horizontal crossbar within the boys’ motorcycle would endanger his son’s skill to change into a father someday. Sundar may be subjected to relatively a couple of yagnas or rituals since his youth to take away the entire destructive vibes in his existence. Within the procedure, the circle of relatives’s astrologer turns into wealthy.

Like his circle of relatives, Sundar additionally has his personal set of quirks. After dropping a chance, he by no means had within the first position, to play younger Chiranjeevi in a film, he stops staring at motion pictures altogether. After his faculty weigh down Leela (performed by way of Nazriya Fahadh), a certified photographer, falls in love with a person from her line of labor, he stops posing for footage altogether.

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Leela additionally comes from an overly conservative circle of relatives. However, her circle of relatives prays to another god than Sundar’s. Sundar is a Brahmin and Leela is a Christian. And each their folks are hardliners on the subject of the topic of blending with folks from different spiritual backgrounds. However, those spiritual and social distinctions don’t observe to the relationships that shape throughout the premises of faculties. An academic establishment is a spot the place range prospers. This is a protected position for younger minds to mingle, and forge friendships with out pleasure and prejudice stemming from one’s magnificence, caste, color, creed or faith. And that’s the place Sundar and Leela meet.

Sundar and Leela are overall misfits. They don’t have pals in class and their households play an enormous position in it. And, they in finding every different. They recognize every different’s qualities that different children in finding worthy of ridicule. However, it will take a little time ahead of their faculty friendship was greater than that. The affection for which they each are in a position to transport heaven and earth thru their reputedly never-ending lies.

Ante Sundaraniki is snappy, fast moving and a large number of a laugh. Author-director Vivek Athreya infuses this comedy with the power of a mystery. The hilarious film jogged my memory of the irreverent comedy taste that was once invented and perfected by way of iconic comedian and screenplay author Loopy Mohan. The confusions, battle, drama and humour stem from lies and the ones lies want extra ridiculous lies and the ones lies ask for extra outrageous lies to hide up one easy fact.

Nani easily suits into the position of a rebellious guy, who comes up with masterful lies as simple as he breathes. Nazriya Fahadh’s display screen presence provides so much to the attraction of the film. And who knew that placing Nazriya and Nani in the similar body would create such crackling chemistry. Naresh, Rohini, Azhagam Perumal, Nadhiya, Anupama Parameswaran, Harsha Vardhan all shine throughout the parts allocated to them within the 3-hour run time.

Vivek has picked heat color schemes which are simple on our eyes. And editor Ravi Teja Girijala has achieved a super process in infusing the narration with edge-of-the-seat power, one thing uncommon to search out within the romantic-comedy style.

The true promoting level of Ante Sundaraniki is Vivek’s love and grab of the Telugu language. The fluency of the narration is so refreshing. It isn’t loaded with heavy heroic punchlines. The vocabulary of the film is so easy and on the similar time has a vital literary price.