Hansal Mehta’s ‘Chhal’ explores the intricate dynamics of the Mumbai underworld, showcasing its moral complexities. The story revolves around Karan Menon, a police informer who becomes entangled in a web of conflicting loyalties and moral quandaries. The film’s distinctive approach to storytelling and its exploration of moral ambiguity make it a compelling work. The screenplay by Suparn Verma, draws inspiration from Hollywood, presenting a captivating narrative where the lines between law enforcers and lawbreakers are blurred. Mehta’s ability to produce impactful visuals on a limited budget is a significant achievement. The raw realism of the gang warfare scenes is remarkable, enhanced by John Woo-inspired action choreography. The film’s opening scene immediately defines characters and sets the stage for the conflicts that will follow. The narrative examines various elements, including the internal conflicts of a law enforcer and the relationship between love and violence. Viju Shah’s musical score enhances the film’s emotional impact. The art direction and cinematography establish a striking visual environment. K.K. Menon delivers a remarkable performance as the undercover cop, and the film’s editing style gives the story extra energy. Despite certain limitations, the film’s success lies in its ability to immerse the audience in its protagonist’s world.
